Publisher/Manufacturer : Cor Unum
Production period : 2000's
Circa : 2005
Country of production : The Netherlands
Special features : Limited edition of 50. One example is held by the Museum Boijmans Van Beuningen in Rotterdam; a black variant from the series belongs to the collections of the Design Museum Gent.
Materials : Earthenware with a matt pearl-green finish; floral motifs; hand-shaped, fired and decorated
Dimensions : 17 x 53 x 27 cm
COL WS 01
Designed in 2005 by Wieki Somers, the Blossoms vase transforms the archetype of the vessel into an autonomous vegetal form. From an ovoid base, reminiscent of the silhouette of a traditional vase, rises a network of branches, buds and protuberances with deliberately indeterminate contours. The object seems intended less to contain nature than to embody its image: branch, flower and vase merge into a single organic sculpture.
The piece is made of earthenware and handcrafted in the Cor Unum workshops in ’s-Hertogenbosch. Once formed and fired, it is given a matt pearl-green finish. The delicately realistic floral motifs contrast with the abstract, almost biomorphic character of the volume, creating a tension between botanical representation and formal metamorphosis.
Produced in an edition of only fifty, it sold out almost immediately, accounting for its present rarity. The model’s institutional significance is confirmed by its presence in the decorative arts and design collection of the Museum Boijmans Van Beuningen in Rotterdam, which holds an example. A black variant from the series also belongs to the Design Museum Gent. These acquisitions establish Blossoms as an emblematic work of contemporary Dutch design, situated at the intersection of functional object, sculpture and ceramic experimentation.
Wieki Somers
Wieki Somers is a leading figure in contemporary Dutch design, renowned for a distinctive approach that brings together poetry, material innovation, and close observation of everyday life. Trained at the Design Academy Eindhoven, she has developed an experimental practice that explores the relationships between object, environment, and perception, subverting familiar uses to reveal new sensory experiences. Her work, positioned at the intersection of industrial design and artistic creation, is characterized by a particular attention to materials, manufacturing techniques, and natural phenomena. Her Blossom series of vases, created in the early 2000s, exemplifies this approach through a contemporary reinterpretation of the vase as a living, evolving object: inspired by the organic forms of nature, these pieces combine functionality with a sculptural dimension. Produced in limited editions, Wieki Somers’s creations reflect a design practice in which experimentation becomes a means of questioning our relationship to objects and to the world around us. Her work is now included in the collections of the leading international institutions dedicated to contemporary design
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