Publisher/Manufacturer : Danese Milano
Production period : 1960's
Circa : 1969
Country of production : Italy
Dimensions :
COL EM 02
Designed by Enzo Mari in 1969 and produced by Danese Milano, the Bambù vase, series 3084, reflects the designer’s investigations into the rationalisation of form and the possibilities of industrial production. Its tall cylindrical silhouette, articulated by deep vertical ribs, evokes at once a plant stem, a fluted column and an architectural fragment.
This early example is made of PVC, shaped through an industrial moulding process. The technique makes it possible to produce the body, thickened rim, annular base and long recessed sections with softened edges as a single piece. Beyond their graphic quality, the ribs reinforce the walls and transform an economy of material into a distinctive formal feature. The colour, incorporated into the material itself, accentuates the interplay of light and shadow.
Its rarity derives from its status as an early PVC edition, now less commonly encountered than the contemporary ceramic reissues. The original label, orange colour and good state of preservation further enhance its interest. The Bambù series is represented in major public collections, including the Museum of Modern Art in New York, the Centre Pompidou and the Metropolitan Museum of Art.
Out of production
Enzo Mari
Enzo Mari is one of the most influential figures in twentieth-century Italian design, renowned for a practice grounded in research, constructive simplicity, and a critical reflection on the function of objects. As an artist, designer, and theorist, he developed a body of work in which rigorous design is combined with a deep attention to use, materials, and manufacturing processes. His collaboration with Danese Milano, beginning in the 1960s, represents an essential chapter in his career and gave rise to objects that have become emblematic of modern Italian design. His Bambu and Trifoglio vase series illustrate this approach through essential forms inspired by the natural world, in which Mari explores the relationships between function, perception, and composition. Later, his Ecolo set designed for Alessi extended this radical reflection on the status of the object: by proposing to transform recycled plastic bottles into vases, it questions the value of the creative gesture, the role of the user, and the modes of design production. Through these projects, Enzo Mari affirmed a demanding vision of design that is accessible, responsible, and meaningful. His works are now part of the collections of the world’s leading institutions dedicated to art and design.
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