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Hole Chair

Width (cm) : 46

Height (cm) : 78

Depth (cm) : 48

Publisher/Manufacturer : Cappellini

Circa : 1996

Country of production : Italy

Special features : Out of production. An example is held in the collection of the Musée National d’Art Moderne–Centre Pompidou

Materials : Cut, pressed, folded and assembled aluminium; polychrome lacquered and enamelled finish, with a turquoise-to-ultramarine blue gradient over a pale ground. The Centre Pompidou records the technique as “enamelled aluminium.”

Condition : Very good condition

COL REB 04

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Designed in 1996 by Ronan and Erwan Bouroullec and produced by Cappellini, the Hole chair is defined by a deliberately elemental geometry. Its seat, backrest and frame form a continuous silhouette, while a single rectangular opening in the backrest lightens the structure. This void, which gives the model its name, is the chair’s principal architectural feature.


The chair is made from aluminium that is cut, pressed, folded and assembled. The pressing process gives the metal its rigidity and subtle modelling while preserving a visually slender profile. The surface is enamelled. On this example, a gradation from turquoise to ultramarine blue crosses the backrest and continues onto the seat, creating the effect of a coloured shadow or luminous reflection.


Its value lies in the precision of the metalwork and in the delicacy of the polychrome finish. Now out of production, the model has become rare. An example is held in the collection of the Musée National d’Art Moderne–Centre Pompidou.

Out of production

Designer :

Ronan et Erwan Bouroullec

Ronan Bouroullec and Erwan Bouroullec occupy a major place in the history of contemporary design. Since the late 1990s, their practice has ranged from furniture to lighting, from objects to installations, as well as interior design and drawing, which they approach as a field of research in its own right. Their work is distinguished by a reflection on systems, modularity, and the relationships between object, space, and user, combining technical innovation, structural rigor, and economy of means. Through their collaborations with leading international publishers, they have made a profound contribution to the renewal of French design on the international stage. Their works are included in the permanent collections of the most important institutions dedicated to art, design, and architecture, and are regularly the subject of solo exhibitions.

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